Œuvre de galerie
Story and context
The uptempo one people know me for. Written in October, when the whole city smells like osmanthus, with a synth line K哥 and I argued about for a week.
This is the song that got me out of the small rooms. It is fast, it is sweet on top and sharp underneath, and the chorus was rewritten four times. Lulu built the choreography around a count of eight that still makes my calves hurt.
The perfume came later and took the name, which people assume happened the other way round.
Droits ou provenance
owned
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